Battling over the public sphere: Islamic reactions to the music of today

Research output: Contribution to journalArticlepeer-review

32 Citations (Scopus)

Abstract

This article analyses discussions about music in the new public sphere of the Arab world. First, it focuses on what states do to control musical expressions and what functions religious actors have in that control. Four cases are looked into: Saudi Arabia, Egypt, Lebanon and Palestine. Then the article discusses theological arguments, in the public sphere, about music. The theologians are divided into three positions: moderates, hard-liners and liberals. It is argued that structural changes of the public sphere-especially with regards to new media and consumer culture - have caused a heated debate about music and morality. While hard-liners and moderates engage in a discussion about the legal and the forbidden in Islam, liberals stress the importance of allowing competing norms. Examples of extremist violence against musicians is discussed and contextualised.

Original languageEnglish
Pages (from-to)211-228
Number of pages18
JournalContemporary Islam
Volume2
Issue number3
DOIs
Publication statusPublished - 2008
Externally publishedYes

Keywords

  • Censorship
  • Consumer culture
  • Islam
  • Music
  • New media

Fingerprint

Dive into the research topics of 'Battling over the public sphere: Islamic reactions to the music of today'. Together they form a unique fingerprint.

Cite this